A new editorial in the new issue of Harper Bazzarr really encapsulates what I have been discussing in my 3000 word essay. In the first image, the models face is so close to being in the frame, yet its cut off. The model embodies everything about the product that the consumer aspires to be. They project themselves onto the hand holding the bag, the bag becomes even more desirable than it was before because they envision themselves with the bag. I really like the compositions and the different angles used, my images tend to stick to very similar angles, I need to try and 'work the shot' more to get the most out of each pose. The editorial was shot by Anya Holdstock.
I was approached by a textiles student and asked to take images for her for the diversity now brief which I was already submitting to, but having more than one chance to be submitted was something I was more than happy to do. She said she liked my style of images and wanted to take images of a skirt she had made for the purpose of the brief. I arranged to meet the day before so that we could meet properly and she could give me an idea of the sort of images she had in mind, I asked her to bring about 6 reference images which could help me on the day. She had arranged her own model which I was slightly skeptical about but she assured me that was who she wanted to model the skirt.
I've learnt a great deal from this shoot and I think to really understand my mistake I needed to experience it. We had complete conflict of ideas and any direction I was given I felt was completely countered to making a good image. these were the only two images I was happy with, I liked the blue background with the yellow of the skirt and even the green of the jumper despite the jumper not being part of the 'styling' I was given, I just wanted the model to cover up a bit. This situation made me make decisions on my feet, such as taking off the trainers I was wearing and getting the model to wear them, putting the jumper on, and trying to work around having a really thin backdrop. I think I handled the situation well, I did get frustrated but I think I handled it well and 100% learnt my lesson; to only agree to work with someone after I know what is expected of me and when I agree with what they want to do.
I experimented with the two images together, and I do actually like this, the two images were good, but its disappointing to only have two, in my opinion, useable images.
When researching portraits for my essay I came across the work of William Hogarth. His paintings were at the heart of the 18th century creative bloom. His style of work was called 'modern morality'. He believed that art should have moral as well as aesthetic qualities and tried to bring this into all the work he produced. This style of work developed into the genre of cartoons centuries later.
He refused to flatter the subject, choosing to paint exactly what he saw. Within my images I want to flatter my subject, within fashion imagery I don't see why a model shouldn't be flattered because the purpose of the image is to sell the clothes they are wearing.
The line of beauty
According to this theory, S-shaped curved lines signify liveliness and activity and excite the attention of the viewer as contrasted with straight lines, parallel lines, or right-angled intersecting lines, which signify stasis, death, or inanimate objects.
The S shaped line as a a virtual boundary between objects and does not define the beauty of the entire composition, but parts of it.
Last night I visited the Sky Garden in London; Its Londons highest garden, sitting on the 35th Floor of the walkie talkie. Its actually classed as a park which I had no idea about- I thought it was just a restaurant/Bar, although it definitely felt as though we were outside; its a naturally ventilated space, which panoramic views from Londons 5th Highest building.
I went in the evening and had no idea what to expect, however now I've been I definitely want to go back with my camera and a model as it would be the perfect place for a shoot during the day, the bright open spaces surrounded by tropical trees would have been a better alternative to the Barbican Centre, and the perfect location for some portraits.
image by Alex Lentati
My image- iPhone 7's still don't like the dark...
image from www.skygarden.london
Today I found another online magazine which I really love, Sifi magazine. Its an australian based online magazine who:
"utilise local talent with the main goal to create and share visual stimulus that is new to the world of social media."
I keep saying this but I will go and shoot on location very soon. Its something I find quite daunting now, but I really want to shoot outside the studio and develop myself a little more as its something I think I could do really well. I've only ever shot my sister while on holiday so getting a model and going out on location together would be quite different, but its something I want to push myself to do. Especially as the weather is constantly improving as we approach spring. The images below are from a published editorial called 'Tree house' but its uncredited as a couple of them are so I'm not sure who the photographer is. I'm assuming they've been shot on film, I love the natural light and the simplicity of the styling and hair/makeup.






















